The Art Bulletin Vol 90 No 2 June 2008 Pp 235259
Books:
The Triumph of the Eucharist, Tapestries Designed past Rubens, UMI Inquiry Printing, Ann Arbor, 1982; Revised ed., Carolus Editions [KDP], New York & London, 2014.
Rubens, Abrams, New York, 1989; Thames & Hudson, London, 1992; French translation, Editions Cercle d'Art, Paris, 1993; Paperback, Carolus Editions [KDP], New York & London, 2014
Bernini, Abrams, New York, 1991. Revised ed., Carolus Editions [KDP], New York & London, 2014.
The Shadow of God: A Journey through Memory, Fine art, and Faith, Doubleday, New York, 2006.
Dwelling house By Some other Route: A Journal of Art, Music, and Religion, Paulist Printing, New York, 2016.
Translations:
Elisabeth Schwarzkopf: from Blossom Maiden to Marschallin by Kirsten Liese [translated from the High german for the American/UK edition] Amadeus Press, New York, 2008.
Wagnerheldinnen / Wagnerian Heroines by Kirsten Liese [translated from the German language for the bilingual edition], Edition Karo, Berlin, 2013.
Elisabeth Schwarzkopf: from Flower Maiden to Marschallin by Kirsten Liese [Translated and edited by Charles Scribner III] Amadeus Press, New York, 2008, pp. 141-157.
Articles, Es says, and Reviews:
"Sacred Compages: Rubens'south Eucharist Tapestries," Fine art Bulletin, LVII, 1975, pp. 519-528.
"Daniel Hopfer'due south Venus and Amor: Some Iconographic Observations," Record of the Art Museum, Princeton University, XXXV, 1976, pp. 14-21.
Introduction and notes to F. Scott Fitzgerald, The Vegetable, or from President to postman (play), Scribners, New York, 1976.
"Hopfer's Venus and Amor: an Annex," Record of the Art Museum, Princeton University, XXXVI, 1977, pp. 25-27.
"In Alia Effigie: Caravaggio'southward London Supper at Emmaus," Art Bulletin, LIX, 1977, pp. 372-382. Reprinted in D. Apostolos-Cappadona, ed., Art, Creativity and the Sacred, Crossroad, New York, 1984.
Introduction to F. Scott Fitzgerald's The Great Gatsby, Scribners, New York, 1980.
Review of Northward. de Poorter'south The Eucharist Series, in Burlington Magazine, November 1980.
Introduction to F. Scott Fitzgerald'southward Tender Is the Night, Scribners, New York, 1982.
"Rubens and Bernini," in Ringling Museum of Art Journal, 1983, pp. 164-177.
"Crying Wolfe," in Vanity Fair, October 1983, pp. 60-61.
A History of Charles Scribner's Sons (booklet), The Rowfant Order, Cleveland, 1985. (Reprinted in The Dictionary of Literary Biography, Documentary Series, Volume xiii: The House of Scribner, 1846-1904, Gale Inquiry, Detroit, 1995, pp. 9-23.)
Foreword to 50. Phillips, F. Scott Fitzgerald on Writing, Scribners, New York, 1985.
Review of W. Liedtke's The Metropolitan Museum of Fine art: Flemish Paintings, in Burlington Mag, Vol. 128, No. 1000 (July 1986), pp. 515-516.
"Going for Baroque," in Christie'southward Auction News, New York, Seven, June 1986, pp. i-5.
"The Garden of Love: Heaven-on-Earth in Baroque Art," in The Incarnate Imagination: Essays in Theology, the Arts & Social Sciences, edited past I. H. Shafer, The Popular Press, Bowling Green, Kentucky, 1988, pp. 124-149.
Foreword to Chiliad. J. Bruccoli, ed., The Brusque Stories of F. Scott Fitzgerald, Scribners, New York, 1989.
"Sculpture that Speaks: Bernini'due south Bust of Gregory XV," in Christie's Sale News, Jan 1990. Reprinted in sale catalogue An Important Sculpture by Bernini, Christie's, New York, 1990.
"Transfigurations: Bernini's Last Works," in Proceedings of the American Philosophical Order, vol. 135, no. 4, 1991, pp. 490-509.
"Lem and Tintoretto," in Robert F. Kennedy, Jr., ed., The Billings Drove, JFK Library, Boston, 1991, pp. 119-121.
"Michelangelo's Encore," in Art & Antiques, December 1991, pp. 50-60, 99.
Introduction to H. Hibbard, Michelangelo, Easton Press, Norwalk, Connecticut, 1992.
Publisher's Afterword to Fitzgerald's The Great Gatsby, authorized text edition, Scribner Classics, Collier Books, New York, 1992.
"Angelic Optics: From Metamorphosis to Masterpiece," in Princeton Academy Library Relate, vol. LIII, no. 2, 1992, pp. 141-155. Reprinted in Alumni Horae, St. Paul'due south School, Bound 1992.
"Fitzgerald's Birthday," in F. Scott Fitzgerald Guild Newsletter, vol. 3, May 1993, pp. 1-6.
Introduction to C. Scribner, Jr., In the Web of Ideas: The Pedagogy of a Publisher, Scribners, New York, 1993.
"Gatsby Illuminated," in The Paris Review, no. 128, Fortieth Ceremony Issue, 1993, pp. 249-253.
Introduction to C. Baker, Ernest Hemingway: A Life Story, Easton Press, Norwalk, Connecticut, 1994.
"In Loco Parentis: Letters from Habitation," Alumni Horae, St. Paul'southward Schoolhouse, Wintertime 1994, pp. 43-46.
Review of J. Martin, Venice'due south Hidden Enemies: Italian Heretics in a Renaissance Urban center (University of California Press, 1993), Alumni Horae, St. Paul'south School, Spring 1994, pp. 152-154.
"Ernest Hemingway: A Publisher's Perspective," Alumni Horae, St. Paul'southward School, Fall 1994, pp. 191-196.
Introduction to A. Heckscher, A Brief History of St. Paul's School, Concur, New Hampshire, 1996.
"Publishing--By Imperfect," in The Professions of Authorship, Essays in Honor of Matthew J. Bruccoli, edited by R. Layman and J. Myerson, University of South Carolina Press, Columbia, South Carolina, 1996.
Preface to M. J. Bruccoli, ed., The Only Thing That Counts: The Ernest Hemingway--Maxwell Perkins Correspondence, Scribner, New York, 1996.
"The Showtime Hundred and 50," in Scribner Mag, Fall 1996, pp. 84-92.
Introduction to R. Burlingame, Of Making Many Books: A Hundred Years of Reading, Writing, and Publishing, Penn State Academy Press, Academy Park, Pennsylvania, 1996.
"The Showtime Hundred and Fifty" and "In Memoriam: A Father's Tutelage," in The Company of Writers: Charles Scribner's Sons, 1846-1996, exhibition catalogue, Princeton University Library, 1996.
"Hemingway at 1 Hundred: A Publisher's Perpsective," exhibition catalogue, Princeton University Library, 1999.
"From Princeton to Paradise" (on premiere of Gatsby at the Met), Opera News, December 1999.
"F. Scott Fitzgerald: A Publisher's Perspective," in F. Scott Fitzgerald: New Perspectives, edited by J. R. Bryer, A. Margolies, and R. Prigozy, Academy of Georgia Press, Atlanta, Georgia, 2000.
"The Voice of Mozart: Elisabeth Schwarzkopf at Ninety," Opera News, July 2006, pp. 16-21.
Memorial Introduction to Elisabeth Schwarzkopf: A Viennese Evening [DVD], VAI, New York, 2006.
"Epilogue: A Pilgrimage to Schruns," in Elisabeth Schwarzkopf: from Bloom Maiden to Marschallin past Kirsten Liese [translated and edited past Charles Scribner III] Amadeus Press, New York, 2008, pp. 141-157.
"F. Scott Fitzgerald: A Personal Perspective," Quest Magazine, New York, October 2011, pp. xc-95.
"Cosmic Themes in Art and Music," Chapter 13 in Teaching the Tradition: Cosmic Themes in Academic Disciplines by John J. Piderit, S.J. and Melanie M. Morey, Oxford University Printing, New York, 2012, pp. 253-281.
"Rubens Meets Miami Vice: The Art of the Sting," IFAR Journal, vol 14, nos. 1 and 2, 2013, pp 51-54.
"Afterword: The Solution," in C. Scribner III'south The Triumph of the Eucharist: Tapestries Designed by Rubens, revised edition, Carolus Editions [Createspace], New York & London, 2014, pp. 225-238.
"Bust of the Savior," in C. Scribner Three's Bernini, revised ed., Carolus Editions [Createspace] New York & London, 2014, pp. 126-127.
"Imago Christi: Bernini Saviours, Lost and Plant,"Valori Tattili, vol. 9, 2017, pp. 49-59.
Review of Friso Lammertse and Alejandro Vergara, Rubens. Painter of Sketches (Exhibition catalogue: Museo Nacional del Prado and Museum Boijmans Van Beuningen, 2018-xix), Historians of Netherlandish Art Reviews, July 2018.
Review of Gerlind Gruber, Sabine Haag, Stefan Weppelmann, and Jochen Sander,eds., Rubens: The Power of Transformation(Exhibition catalogue, Vienna and Frankfurt, 2017), Renaissance Quarterly, Leap 2019.
"Bernini's Cristo Vivo," Valori Tattili, vol. 10, 2017, pp.36-42.
Review of Sasha Suda and Kirk Nickel, eds., Early Rubens (Exhibition catalogue, San Francisco and Toronto, 2019), Historians of Netherlandish Art Reviews, August 2019.
Review of Reinhold Baumstark and Guy Delmarcel,Rubens. Subjects from History: The Decius Mus Series (Corpus Rubenianum Ludwig Burchard, XIII,two :London, Harvey Miller, 2019),Historians of Netherlandish Art Reviews, July 2020.
"Velázquez and Teresa of Ávila: The Lord Among Pots and Pans,"Church Life Periodical(University of Notre Matriarch), September 22, 2021.
"Bernini's Cristo Vivo," Princeton University Art Museum Record, vol. 77-78, 2017-18 [2021], pp. fifteen-23.
"Bernini's Stage for a Sacred Opera," Sacred Architecture, vol. 41, Spring 2022, pp.25-28.
Source: http://charlesscribner.com/
0 Response to "The Art Bulletin Vol 90 No 2 June 2008 Pp 235259"
Post a Comment