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Stop & Shop Grass Fed Beef

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1998 single by Spice Girls

"Cease"
Spice Girls - Stop.png
Single by Spice Girls
from the anthology Spiceworld
B-side "Ain't No Stoppin' The states Now"
Released 9 March 1998 (1998-03-09)
Recorded 1997
Studio Olympic, London
Genre Dance-pop
Length 3:24
Characterization Virgin
Songwriter(south)
  • Spice Girls
  • Andy Watkins
  • Paul Wilson
Producer(s) Absolute
Spice Girls singles chronology
"Too Much"
(1997) 		"Stop"
(1998) 		"Viva Forever"
(1998)
Music video
"Stop" on YouTube

"Terminate" is a vocal by English language girl group the Spice Girls from their second studio album, Spiceworld (1997). The group co-wrote the vocal with its producers, Paul Wilson and Andy Watkins of the Accented product duo, during the filming of the film Spice Earth.

"Stop" is a dance-pop song with influences of Motown and blueish-eyed soul, and features guitar and brass. Its lyrics are about the group's frustrations with existence overworked by their direction. The music video, directed past James Brown and filmed in Republic of ireland, features the Spice Girls in a 1950s working-class street playing children'south games with young girls. The song received by and large positive reviews for its Motown influences and product. The Spice Girls performed "Stop" in a number of live appearances in Europe and North America including their three tours.

Released every bit the album'south third single in March 1998, it peaked at number two on the UK Singles Nautical chart behind "It's Like That" past Run-DMC vs Jason Nevins, ending the Spice Girls' streak of consecutive number-1 singles on the chart at six, and becoming the group'south merely single during their original tenure to non attain number one on said chart. It was moderately successful internationally, peaking inside the top twenty on the majority of the charts that it entered. In the Usa, "Stop" peaked at number 16 on the Billboard Hot 100, condign the grouping'south sixth consecutive top-xx entry on the chart.

Background and writing [edit]

In June 1997, the grouping began shooting scenes for their film Spice World. Simultaneously, Virgin Records started the first marketing meetings for the Spiceworld album's promotional campaign, which was set to exist released in November.[1] No songs had been written for the album at this point, so the grouping had to do all the song-writing and recording at the same fourth dimension as they were filming the pic.[2] Between takes, and at the stop of each filming day,[iii] the group commonly went straight into a mobile recording studio set in a Winnebago, which followed them between film sets.[2] The schedule was physically arduous with logistical difficulties;[ane] Melanie Brown commented in her autobiography: "doing the 2 full-time jobs at the aforementioned time took its toll and within a couple on weeks, exhaustion set in."[iii] The concept of "Terminate" was mainly penned by Geri Halliwell. She came upwards with the commencement lines of the song and recorded them into a dictaphone;[2] the next solar day she played the record to Paul Wilson and Andy Watkins—the songwriters and product duo known as Absolute. The duo then worked with the melody and began playing with it.[iv] Halliwell commented in her autobiography:

I wanted something with a Motown feel. Mel C[hisholm] somewhen finished off the chorus and we had the ground for a vocal called "Finish". Afterwards, when nosotros had more than fourth dimension, the other girls came in and we helped write the verses and bridges.[4]

According to Chisholm, "Stop" is about the grouping'due south feelings towards fame and their frustration with their management who they felt was overworking them.[v] These frustrations would culminate with them firing their manager Simon Fuller in Nov 1997.[6]

Composition [edit]

"Stop" is an up-tempo dance-pop song with influences of Motown and blue-eyed soul,[7] and is reminiscent of classic singles past The Supremes or Martha and the Vandellas.[eight] Information technology is written in the primal of C major, with a fourth dimension signature set on common time, and moves at a fast tempo of 132 beats per minute.[nine] Lyrically, the song calls for a slowing down on the courtship process, and it is especially addressed to appeal to the young female person audition, equally the female to female bonds are not threatened.[10]

Information technology is synthetic in a verse-pre-chorus-chorus form, with a span before the third and fourth chorus. It starts with an instrumental introduction, and uses a chord progression of C–B ♭ –Am7–Chiliad, that is also used during the verses and the chorus.[9] In the first verse, Halliwell, Chisholm, Bunton, and Beckham sing each ane line. The chords change to Dm11–Dm9–Dm11–Dm9–Dm7–Emvii–F major7–G during the pre-chorus, followed by the chorus.[9] The same design occurs leading to the 2d chorus, the first part of the second verse consists on the repeated use of the words do and ba da, then Bunton and Chisholm sing the rest of the verse. The group and so sing the span, and end the song repeating the chorus twice.[nine]

Release [edit]

"Finish" was released in the United Kingdom on 9 March 1998, in two single versions.[11] The first i, a standard CD single, included the track and live versions of "Something Kinda Funny", "Mama", and "Dear Matter", taken from the set of concerts the grouping did in Istanbul in Oct 1997. The 2d version, too released in a standard CD unmarried, contained the track, along with the David Morales remix, the Stretch & Vern's Rock & Curl Mix of the vocal, and a cover version of McFadden & Whitehead'south "Own't No Stoppin' The states Now", performed along with American singer Luther Vandross.[11] In the United States, Virgin Records serviced "Stop" to contemporary hit radio on 7 April 1998, then released the single equally two CD singles on iii June 1997.[12] [xiii]

Reception [edit]

Critical response [edit]

"Stop" was more often than not well received by music critics. For Sylvia Patterson of NME, the vocal is an "obscenely catchy Motown swinger", she added that it is "the proper pop genius destined to be number one until Nihon falls into the ocean".[xiv] Rolling Rock mag's David Wild called information technology "a retro, Supremes-low-cal confection that'due south every bit undeniable equally it is unoriginal."[15] David Browne of Amusement Weekly characterised it as a "delicious re-cosmos of Motown-era bop packed with skipping-down-the-street adept vibrations".[16] Larry Motion picture of Billboard mag said that it has "a boisterous, Supremes-like retro vibe", and called its hook "irresistible". Flick too praised the David Morales remix of the song, calling it "a vibrant, fourth dimension-sensitive disco ditty",[17] while Howard Scripps from The Press of Atlantic City chosen it "an obvious girl-grouping ditty", and added that information technology "is some other potential striking".[eighteen] Conversely, in a review of Spiceworld, Andy Gill of The Independent, called the anthology a "perky but charmless parade of pop pastiches", and described "Stop" as a "pseudo-Motown stomp".[19]

Stephen Thomas Erlewine from AllMusic, commented that the song "consolidates and expands the group's style [...] [calculation] stomping, neo-Motown blue-eyed soul in the vein of Civilisation Order".[vii] Erlewine complimented "Stop" in a review of the grouping's compilation album, saying that it "is equally crawly a slice of obligatory British Tamla/Motown equally y'all'll get".[xx] Stewart Mason, besides from AllMusic, compared it to Bananarama'south classic singles, and chosen it as "a glorious piece of utterly disposable but wonderful disposable pop".[8] Sputnikmusic's Amanda Murray besides complimented the rails, saying that information technology a "is a thoroughly enjoyable upbeat song, completely carefree and lively".[21] Music Calendar week described it as an "upbeat, trumpet-led homage to old-school R&B. Very Motown-influenced. [...] an addictive dreamy summertime sing-a-long".[22] The Virginian-Airplane pilot said that the horns on the song are "classic soul with a 90s tweak".[23] Music critic Roger Catlin of The Buffalo News described it as "a jaunty Motown beat [...] [with] a progirl message".[24] In a review of the group's Greatest Hits album, Digital Spy's Nick Levine said that "Terminate" all the same sounds "like the all-time song that Motown never produced".[25]

Commercial operation [edit]

"Finish" debuted and peaked at number two on the United kingdom Singles Nautical chart with first-week sales of over 115,000 copies, being kept off the top spot by Jason Nevins' remix of Run–D.G.C.'southward 1983 unmarried "It'south Like That".[26] Information technology ended the streak of the Spice Girls' sequent chart-toppers at six (from "Wannabe" to "As well Much").[27] The single was certified Platinum past the British Phonographic Industry (BPI) on 14 August 2020 for sales of 600,000 in the Uk.

"Stop" was moderately successful in the residual of Europe. It reached number six on the Eurochart Hot 100 Singles,[28] peaked within the superlative 10 in Finland, Ireland, holland, Sweden, and Wallonia,[29] [30] [31] and within the tiptop xx in Austria, Flanders, France, and Switzerland.[32] The song was more successful in Oceania. In New Zealand, it debuted on 12 Apr 1998 at number xiii, peaked at number nine, and spent 12 weeks on the nautical chart.[33] In Australia, it debuted on the ARIA Singles Chart at number 11, peaking at number five in its fifth week. Information technology remained on the chart for 22 weeks,[34] and was certified Aureate by the Australian Recording Industry Association (ARIA).[35]

In Apr 1998, "Cease" debuted at number 99 on the Canadian RPM singles nautical chart,[36] reaching a peak of number three in its ninth week.[37] In the U.s., "Cease" debut at number 36 the Billboard Hot 100 nautical chart dated 20 June 1998.[38] Information technology peaked two weeks later at number 16, becoming the group's sixth consecutive top-20 entry on the chart.[39] "Finish" peaked at number xi on the Hot 100 Singles Sales nautical chart,[40] but received little back up from radio stations,[41] reaching number 70 on the Hot 100 Airplay chart.[42] The song reached number three on the Hot Dance Music/Maxi-Singles Sales chart, but saw moderate success on other formats, peaking at number 14 on the Hot Trip the light fantastic toe Club Play nautical chart and at 37 on the Mainstream Top 40 chart.[43]

Music video [edit]

A scene from the music video for "Finish", featuring the Spice Girls performing a hand-activeness dance in a traditional 1950s-inspired working-class street

The music video for "Finish" was shot on 27 January 1998 in Ireland, and was directed by James Brown.[44] Almost the concept, Melanie Brown commented: "There wasn't a storyboard for this video—it was more than trial and error. It wasn't planned downwards to the terminal particular and was quite a free-for-all. It's similar everything we practice—consummate chaos! [...] And we all want to get our bit in, so the director has to exist able to encompass us all, plus put his ideas on top of it, and brand information technology all flow.[45]

The opening segment, reminiscent of a traditional 1950sworking-class street of terraced houses,[46] was filmed at Carnew Street in Dublin, and features scenes of each member of the group knocking on unlike doors.[47] And so during the showtime chorus, the group performs a hand-activity dance, that was also used during their live performances.[10] The second half of the video, set in the boondocks of Rathdrum, County Wicklow,[48] showed the grouping interacting with immature girls in diverse activities, such as running effectually the streets dancing, skipping rope, playing hopscotch, cat's cradle and pat-a-cake, hula hooping, Geri horseback riding, and participating in competitions of diverse kinds. The locals are depicted as working-class people who attend the local fair or have a drinkable in the pub. At the end of the video, the grouping performs at a phase in the local hall in front of an audition of immature and onetime people. The audience applauds afterward the vocal is finished. Geri can be seen sticking her tongue out and the video ends.[10] [46]

Live performances [edit]

The song was performed several times on telly, in both the UK and the US, including An Audience with..., Top of the Pops, The This evening Show with Jay Leno, and the Late Show with David Letterman.[49] [50] [51] For their "Stop" performance at the 1998 Brit Awards, the grouping adopted a Supremes-similar look, and appeared on the phase in a 1960-style car.[52] [53] The group performed "Stop" without Halliwell at the annually hosted Pavarotti and Friends charity concert in Modena, Italy, in June 1998.[54]

In October 1997, the group performed it as the ninth song of their first live concert at the Abdi Ipekçi Arena in Istanbul, Turkey. The performance was broadcast on Beginning in a pay-per-view concert special titled Spice Girls in Concert: Wild!.[55] Withal, the VHS and DVD release of the concert, Girl Power! Alive in Istanbul, does non include the "Stop" performance.[56] In Nov 2007, the grouping performed together for the beginning time in nearly a decade at the 2007 Victoria'due south Secret Manner Show, held in Los Angeles, California. The group dressed in military machine-themed outfits performed "Terminate" miming to a backing track, in front of giant glittering lights that spelled out "Spice" in the background.[57] A taped performance of the group lyp-synching the song, while dressed in blue sailor outfits, aired on 17 November 2007 for the Children in Need 2007 marathon.[58] On 8 Nov 2010, Chocolate-brown performed "End" with the 2d series' contestants of the Australian edition of The X Factor.[59]

The group accept performed the song on their four tours, the Spiceworld Bout, the Christmas In Spiceworld Tour, The Return of the Spice Girls Tour and the Spice Earth – 2019 Bout.[lx] [61] [62] [63] It remained in the group's live set afterwards Halliwell's departure at the end of the European leg of the Spiceworld Tour, her parts were taken by Brown. The functioning at the tour's terminal concert can be found on the video album Live at Wembley Stadium, filmed in London on 20 September 1998.[64] For The Return of the Spice Girls Tour, it was performed as the second song from the bear witness's opening segment. The grouping dressed in tight bronze- and copper-coloured outfits made by Italian style designer Roberto Cavalli.[65] [66]

Cover versions [edit]

English stone ring The Struts recorded a cover of the song as part of their Sunday Service stream series, which took identify during the COVID-xix pandemic lockdowns.[67] [68]

Rail listings [edit]

Credits and personnel [edit]

Credits adapted from the liner notes of Spiceworld.[74]

Direction [edit]

  • Published past Windswept Pacific Music Ltd, 19 Music, and BMG Music Publishing Ltd.

Personnel [edit]

  • Spice Girls – vocals
  • Absolute – production, all instruments
  • Jeremy Wheatley – engineering
  • Mark "Spike" Stent – mixing
  • Paul "P. Dub" – mixing assistance
  • Mike Higham – boosted programming
  • Kick Horns – contumely
  • Milton McDonald – guitar

Charts [edit]

Certifications [edit]

References [edit]

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  2. ^ a b c Halliwell 1999, p. 286
  3. ^ a b Brown 2002, pp. 273–274
  4. ^ a b Halliwell 1999, p. 287
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Bibliography [edit]

  • Bloustien, Gerry (1999). Musical Visions. Wakefield Press. ISBNone-86254-500-six.
  • Brownish, Melanie (2002). Catch a Burn: The Autobiography. Headline Book Publishing. ISBN0-7553-1063-2.
  • Dimery, Robert (1998). Live Spice!. Omnibus Printing. ISBN978-0-7119-6940-vii.
  • Halliwell, Geraldine (1999). If Only. Delacorte Press. ISBN0-385-33475-3.
  • Pilkington, Hilary (2002). Looking West?: Cultural Globalization and Russian Youth Cultures. Penn Country University Press. ISBN0-271-02187-Ten.
  • Sinclair, David (2004). Wannabe: How the Spice Girls Reinvented Pop Fame. Coach Press. ISBN0-7119-8643-6.
  • Spice Girls (2008). Spice Girls Greatest Hits (Piano/Song/Guitar) Creative person Songbook. Hal Leonard Corporation. ISBN978-ane-4234-3688-ane.

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Source: https://en.wikipedia.org/wiki/Stop_%28Spice_Girls_song%29

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